Johnson started his autonomous profession by making the film scores out of Bharathan's Aaravam (1978), Thakara (1980) and Chamaram (1980). He formed his first soundtracks for the movie Inaye Thedi, debut movie of chief turned still picture taker Antony Eastman and on-screen character Silk Smitha. It was Devarajan himself, who proposed Johnson to the executive. At that point came Bharathan's Parvathi and Balachandra Menon's Premageethangal. Premageethangal was a remarkable accomplishment with four of its melodies – "Swapnam Verumoru Swapnam", "Nee Nirayoo Jeevanil", "Muthum Mudipponnum" and "Kalakalamozhi" achieving faction status.
He came to unmistakable quality through his joint effort with Malayalam creator and executive Padmarajan. Koodevide was their first endeavor, which had one of the most well known tunes of Johnson "Aadivaa Kaatte", a pathbreaking melody in Malayalam music history. It was one of the main melodies in Malayalam to such huge numbers of western old style components. The tune was conceived out of Padmarajan's requirement for a western melody for his inventive film. Tune organization occurred in Forest's Inn, Chennai. Another remarkable component of this melody was the verses by O. N. V. Kurup, who just because composed verses for a pre-made song. Johnson worked for 11 movies with Padmarajan, including his last film Njan Gandharvan. This beneficial joint effort saw the nitty gritty screenplay and cinematography of Padmarajan become a rich ground for expressive melodic portrayal and topical scores for Johnson. This is found in probably the best films of Malayalam film, as Nombarathipoovu (1987). Another outstanding coordinated effort of Johnson was with executive Sathyan Anthikkad, with whom he related in right around 25 movies. He had the option to give a portion of his most famous melodies with Anthikkad and this combo is generally acknowledged to be one of the best executive arranger joint efforts in Malayalam film. Acclaimed Malayalam chief Bharathan likewise worked together with him in various movies including Parvathy, Palangal, Ormakkayi, Kattathe Kilikkoodu, Ente Upasana, Oru Minnaminunginte Nurunguvettam, Ozhivukalam, Malootty, Chamayam and Churam. His major different coordinated efforts with chiefs incorporate Mohan (Oru Katha Oru Nunakkatha, Sakshyam, Pakshe and Angane Oru Avadhikkalathu), Sibi Malayil (Kireedam, Chenkol, Dasaratham and Nee Varuvolam), Sreenivasan (Vadakkunokkiyantram and Chinthavishtayaya Shyamala), Lohithadas (Bhoothakkannadi, Kamal (Peruvannapurathe Visheshangal, Shubhayathra, Ee Puzhayum Kadannu and Paavam Rajakumaran), and Balachandra Menon (Shesham Kazhchayil, Premageethangal, Kilukilukkam, Kelkatha Shabdam and Nayam Vyakthamakkunnu).
He is additionally noted for his joint effort with the Malayalam lyricist Kaithapram Damodaran Namboothiri. Their affiliation started in 1989 with Sathyan Anthikkad's social parody Varavelpu. The greater part of Johnson's remarkable works were in the late eighties and mid nineties. In 1991, he scored a record number of 31 movies, incorporating 29 with Kaithapram. Johnson won National honors for two back to back years. He won his first National Honor in 1994 for the movie Ponthan Mada (1993). The following year he got his second honor for Sukrutham. Both the honors were for the foundation score in films.
After an amazingly fruitful vocation of over 10 years, Johnson took a vacation from film scoring before the finish of the nineties. The amount of his works started dying during this time. By the start of the 2000s, he didn't sign any new activities that even his most noted colleague Sathyan Anthikkad needed to locate another writer. In 2003 he did the foundation score for the NFDC film Parinamam (The Change) coordinated by P. Venu.In 2004, he sang the tune "Theekuruvi" from Kangalal Kaidhu Sei, which was created by A. R. Rahman. Maybe it is the main tune recorded by him for any author other than himself. He returned firmly to the field with Picture taker in 2006, which got him various awards.
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